Source Match Entertainment News
India has banned the broadcast of a controversial documentary in which one of the men who gang-raped and murdered a student is shown blaming the victim -- a move the film's maker called "arbitrary censorship". Home Minister Rajnath Singh told parliament on Wednesday the comments of Mukesh Singh, one of five men convicted over the 2012 attack in New Delhi, were "highly derogatory and an affront to the dignity of women". "The government condemns it," he said of the documentary made by award-winning British film-maker Leslee Udwin, who won rare access to New Delhi's Tihar jail to interview the prisoner on death row. Singh's comments in the Rajya Sabha, India's upper house, came after a New Delhi court late Tuesday issued an order banning media from showing the film, "India's Daughter".
In one of its most complex and ambitious exhibitions, the Museum of Modern Art has designed a career retrospective on Bjork that probes the question -- just how does one put music on a wall? The highlight of the two-floor retrospective, which opens to the public Sunday and runs until June 7, is a walk through the artist's eight adult solo albums, with each museum-goer given a headset that, triggered by sensors, narrates a fictional biography of Bjork set to highlights of the music. The visitor sees diaries of Bjork with her musings -- "I don't recognize myself / This is very interesting," she writes in one, which turned into the song "Headphones" -- as well as some of Bjork's most sensational outfits, including the swan dress she wore to the 2001 Oscars and the dress of tiny bells designed by Alexander McQueen. The lobbies feature music from four "instruments" including a Tesla coil that appeared on Bjork's 2011 album "Biophilia," an innovative work that was accompanied by a smartphone app -- the first to enter the collection of the Museum of Modern Art.
The bleak introspection is consistent with her 2012 album, "I Thought I Was an Alien." But while the debut work had a low-fi feel, her second full-length album is marked by a heavier edge, with touches of post-punk icon Siouxsie Sioux in her voice and a forceful guitar that at times evokes the Yeah Yeah Yeahs. "My Dreams Dictate My Reality," which is out in continental Europe and was released Tuesday in the United States and Britain, was produced by Ross Robinson, who has worked with metal bands such as Korn and later with The Cure, whose bass-heavy noir is the most obvious influence on Soko.